EGB's Front Man Evan Goodrow Makes This Blog Because he Frequently Plays in the Village!!!!!

Evan in NYC!!!!

I got a chain email the other day from this band--a fan letter of some sort announcing dates for shows and all that and I was so happy to get it because I was actually thinking about interviewing Evan and presto! Wow, the mind is a powerful tool: if you think it, it will come. Anyway, so I did a phone interview with Evan and in the middle of the conversation he actually started to remember me. I went to two of his shows: one in Springfield, MA and one in Boston, MA. This guy's got thousands of fans and knows thousands of people. I feel so special that he actually (very vaguely) recalls speaking with me for 1.2 seconds...what can I say, I'm so cool.

What do you do?
I write music, I do everything around that, record music, play music, play instruments, book gigs, promote, manage, do interviews (laughing)...
Speak about your music.
Modern Soul...
What?
Any style of music that has soul in the traditional sense: blues, Jazz, Motown, Funk brothers...
So, aside from playing with BB King himself, what other well-known musicians you play with?
Um, well, Jimmy Buffet, Buddy Guy, Peter Frampton, Susan Tedeshi.
Who is she? I never heard of her.
A pop blues singer from Cap Cod, she won a bunch of Grammies, she's the wife of Derrick Truck from the Derrick Truck Band and they're a huge Jam band.
Anyone else?
GE Smith from the old Saturday Night Live band (1980-1990), those are the big ones.
Very cool, I heard a lot about Buddy Guy and Peter Frampton lately...what were your early influences?
Pretty broad spectrum, just a lot of genres, a big one would be Ray Charles or Jon McLaughlin, there's also Hendrix, Oddis Redding, Donny Hathoway...
Where did you get your roots and begin to play?
Big band music like Duke Ellington, Count Bassie from listening to my grandfathers' music when I was four.
And when did you learn to play?
When I was eight, I learned how to play the piano...and now guitar, piano, bass and I sing.
What are some places EGB has taken you?
England, Ireland, Spain, Portugal, France...
And of all those places you've been in the world, New York's still the best, right?
Absolutely, but I think Japan would be cool, I really want to go there, I hear it's crazy.
When did your band get started?
Back in 2001, when I was in another band I decided to start my own and went to different gigs to hear different musicians play and well, the rest is history...
When do you play?
Every morning.
That's awesome, um, I meant when do you perform? Sorry I make this up as I go along.
It gets busy and it gets slow, could be 7 days a week or only twice a week, really depends.
Ever do weddings?
We did some for our fans.
For free?
(laughing) No, not free, that really all depends...we don't really have a standard price.
Do you currently have an agent?
I have a few I work with but I'm not exclusive with anyone.
Got a lot of groupies? I've read "I'm with the Band" by Pamela Des Bares, good book by the way.
Yeah, about two million, I never read that book, I did see "Almost Famous" though, about another famous groupie.
Ever been with a famous groupie?
No, never and I don't have any groupies either, I was just joking around.
Sure...I believe you. Oh, I saw a UTUBE clip of you and your band recently where a fan got up and proposed, it was so sweet!!! You guys are great.
That couple meet at that same venue and became our fans two years prior. The guy just called me up one day and we planned the whole thing, she never suspected a thing.
Really?
She was totally freaked out, started crying, she was in such shock.
That's so sweet, I love that stuff, that's so romantic.
Yeah, it was great.
So, Sony contacted you?
There's been interest but everything is just talk..it's just talk for now. The shape of the music business is so dyer, they're not really signing bands...
Why?
I don't want to criticize...the shape is different from the old model to continue the way it was..all the channels of money are different and it's changing the way music gets done, even the everyday person is seeing this.
Tell me a little about your audience.
We have a great fan base, I'm not waiting for anyone to sign us, we're fine either way.
Is there a typical EGB fan?
No, age demographics is just too wide. We cator to all age groups, our music appeals to a very vast population, the spectrum is just huge, our music is very unique.
Any cons you face with such a range?
The only con is having it marketed. Every musician, every group out there has a category or a fan base; Christiana has the younger girl population, etc, with us the audience is too wide, it's hard to market that.
I wanted to ask you about the hat?
Oh yeah, I love these hat questions. The hat is made by Designer New York. I wore it once back in 2003 at a gig and never took it off...
Why?
I found when I wore it, it was something that changed my personality.
Really?
Kind of like an actor, there's a difference when I'm wearing it and when I'm not wearing it.
So, when the hat does come off?
Look out!
What's the pay split with your band?
All my guys work on a standard rate, it's not fickle, whatever's more gets put back in the band.
Ever play for a festival like a Guniss Fleah?
Not yet, looking forward to it though.
How many records?
Nine.
Upcoming shows?
There's just too many to list.
Favorite place you love to play?
Well, Boston is my home base, I love playing at the club Tommy Doyle's, the old house blues, it's a very cool vibe.
You a Red Sox fan?
Yeah, well no, I'm not really a fan, I'm just not really that into that stuff.
So, besides music, what are your other interests?
That's it.
No, seriously.
That's bad, I know, I'm just very focused. I write movies, wrote a movie for Maramax but it hasn't been released and I can't really talk about it, signed papers.
Just tell a little of the plot then.
Just a love story about a couple who keep coming back to each other and are always getting separated and this goes back and forth...
How sweet, when was the last time you wrote something other then music/songs?
Last night...working on a music business plan for a friend of mine, I do a lot of other things but ultimately it always comes back to my music.
Who you voting for?
Can't say, I never mix music with politics...but I can tell you I've had enough of the Republicans.
Been effected by the recession?
Oh sure, everyone has, I think it's all across the board.
Well, Evan, thanks a lot and hopefully I will see you in New York soon.
Power to the People!


Recent Article on Evan Goodrow:
By CLARA ROSE THORNTON Herald Correspondent - Published: April 2, 2009

Although southern Vermont has a vibrant music scene, by percentage it can be somewhat limited to similar, Eurocentric genres: folk, roots rock, hard rock. And of course, there are classic evenings of contra and New England fiddlers. It is rare that down-home, messy, slinky soul music finds its way to this trickle of the Appalachian Range.

Though Vermont is statistically both the second least populous and second least ethnically diverse state in the Union, musical energy does not have to suffer proportionately. Through fresh circulation of and open ears toward global sounds — as well as those of American pop music's back porch — Vermont can creep toward the wild diversity needed in entertainment to maintain that distinct hum of bluesy deference.

A way to begin with good marks on a "Vermont dirty soul music" report card is with the Evan Goodrow Band (EGB) this Saturday at the Latchis Theater in Brattleboro. Evan Goodrow and his trio of bluesy, funky, old-soul aficionados answered a call to bring a little "shake" to the hills.

Hailed by blues-circuit partner B.B. King as "exceptional," young Boston-based guitarist and vocalist Evan Goodrow is not exactly from the Delta, but his sense of the rawness of expression at the root of soul is evident.

"I would have to say that the essence of blues and soul music is specifically about feeling," said Goodrow in an early-morning interview from his hotel room in Miami. "I think there's something genuine about it, a certain honesty in expression that makes blues and soul good. I don't always see that honesty in pop music."

As a child Goodrow was steeped in the sounds of Ray Charles and Solomon Burke, then integrated a passion for Jimi Hendrix's electric mayhem into his burgeoning style. He pursued formal jazz training in Boston, though quickly took to the streets of the college town's underground cafés and clubs instead, honing an unidentified hybrid sound that would aptly become described, simply, as modern soul.

"If you're playing to jazz or blues purists that means you're recreating," Goodrow said. "And once you're recreating, you can't be creating and recreating at the same time. When you play something that's resurfacing a style or a genre — something that's already happened — you're actually making it worse. Because you can't necessarily make it better than it was. So the only way to make it relevant is to do something else with it — try to bring it to the next step. I think you pay homage to the musicians who come before you not by recreating their work but by creating new pieces that are inspired by them."

While opening for legend Buddy Guy in Lowell, Mass., last year, EGB was "discovered" by Gail Nunziata of the Brattleboro Arts Initiative and Latchis Theater, who decided that bringing him to southern Vermont was an imperative. Currently EGB is touring as a trio with drummer Phil Antoniades and keyboardist John Cooke, downsized from their previously robust four-piece.

Goodrow feels that the stripped-down aesthetic allows for less of a veil, less cushion for extravagance. There's "an honesty. It's that thing again about blues, soul and jazz. There's something so honest in it that I love. And I think that's what makes music timeless."

MySpace.com - Jonathan Fritz Acoustic - New York - Acoustic / Latin / Other - www.myspace.com/jonathanfritzacoustic

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I recently learned "The" Jonathan Fritz was playing at the Bitter End. I couldn't believe the world known musician played at such small venues, (The Bitter End is a well kept secret, it always has the greatest artists there) and I hoped he would do an interview after his show. As soon as he unplugged his guitar after 3AM I approached him. He said he could spare a few minutes with me while he and his band mates packed up... this guy is not only the most talented muscian but an extremely articulate gentleman,,,the epitome of cool.

In the words of Jonathan Fritz....
On Traveling: “My understanding on life is every culture has a way of life, this is where I find my center core…and this helps me create my music.”
On Culture: “Every culture has wisdom of how to live life in a beautiful way depending on what’s available. I’m always fascinated about using that attitude in a different place. Take for example…the Caribbean; it’s laid back, if you’re late meeting someone no one notices, but here…when you come back it’s like a pin ball machine and you feel like your getting bounced around. One time I was going into the Lincoln Tunnel and this Soprano looking dude tries to cut me off but there’s no room for me to move. He gets so pissed he pulls over and comes up to me. I was in a Caribbean, mellow state and did not react. My “Caribbean choice” worked better than my “New York choice” to fight back in this situation. I believe the more places and cultures you are exposed to, the better you can communicate with everyone, the better you can react…”

On Change: “Every place has its seductions and irritations, if you stay somewhere too long; the irritations take over the seductions. If I lived here all year long, that’s how I would feel, that’s why I can’t stay here…”
On Success: “I’m good because I’m successful at networking, following leads, I’m always working. Moreover, I have the ability to make my instrument SING anywhere: England, Spain…I’m going to get a gig. I work for myself, sell my own CDs. I can hire myself and take time off. I go after it, I hit the pavement, I generate a lot and I don’t mind doing it. My audience is vast: tweens, teens, young and old…and this is what I put into creating the CDs, which for me is also a healing process. Recently, I was one of the headlines in New Mexico, I got paid really well and I wasn’t even the singer!”

On inspiration: “What I care about is the music and the inspiration; I don’t really dwell on the negative aspects of it. As an artist, I would say I don’t like to waste time. Therefore, whenever I’m traveling, I record my own stuff. Take for example, I’m delayed in Denver to Houston, during the delay I can edit or if I’m driving I can use a car lighter to do some work. Right now I’m creating music from different genres on a blues record with an acoustic slide, with two Nuevo flaminco, rock and stylisitlly void…I’m always trying to fit it with more verse chorus, point A to B, where nothing is repeated, it’s sort of like a stream of consciousness.”

On Europe: “What it is (over there) people treat musicians like royalty. They really LISTEN…to everything! Everything I said, everything I did, and they remember and really know where I was coming from. During one trip to Italy I ended up teaching so many people…they were coming into see me all the time. The European government believes art has value, I’m generalizing of course, but here it’s only considered valuable if it’s famous. Because of this the representation of the promotion of art is not good. What began with Peter Frampton in 1976 (turning point for investors who became interested in money making through music) ended with people with money who did not know, appreciate or understand good music…good music and good art can leave me high for weeks, I call it ‘lifting rooms’ and sadly the way the industry is today in the American society, many listeners will never experience this because they are not being exposed to it (good music)”


On Good Tunes: “A lot of times, I listen to what I have to learn. I don’t like to play anything that isn’t heartfelt, if something is done with beauty, grace…it’s the intent, the feeling. You come into this world alone and you leave alone, what is the connection? What did you leave behind? Good music has authority and elegance; even if it’s ugly or harsh…I live and breathe this.”

On the Creative Process: “The gods I worship are of inspiration, the challenge is if I’m not inspired, how do I inspire myself, I figure out how to create that energy on my own…that’s why people get depressed. Music and art have always been a part of that, artists are the Shamans of our period, it’s a journey. Musicians are the antennas to the cosmos. All great art is timeless but every generation has to create their own. I’ve created a fusion that no one has ever done; I’m verse in chorus…new spin on the same thing. It’s an expression of what it is to be human: happy, sad, making connections, seeing the feelings. When I play well, others see themselves, they don’t see me. Through art, a person can learn who they are…in the creative process, you don’t choose what you do by technical things but by feelings and moods. I don’t think of the cords. If I have to think about it, it’s not the same affect. Regardless of what you do whether you are a doctor or a plumber…doesn’t matter, there are always obstacles, I don’t treat them personally and let them fuck with the end product. When people realize how to do this, then can get past it (doubt), the power of positivism is my religion. I am really lucky to be working with such great people and doing what I love to do for a living.”

On Family: “I am a much centered person because of my family. I don’t have anger issues that people who aren’t free from that darkness…to get there is work and there’s work and there’s no way around it. Even if you’re talented, it’s all about hard work-there is no other way, there’s no short cut, I live and breathe this. You must learn the rules before you break them. My father is an artist, he is an exceptional painter. However, I also learned from many other places, like flamingo players…funk is tight; rock-n-roll is looser. Now when I meet brilliant people I can learn certain stylistics. For example I have a friend who recently taught me something that took him years to master and learn, he taught me so much, he had these beautiful rules.”

On Parenthood: “It was my next natural step. I love the fact that I can give to someone what I have, show him things, give him shortcuts in life…I would look at it as wisdom. As a kid I saw Steve Ray Vaughn. I started (playing) late, 15-16; however, I played music since I was five. I’ve always had the ability to pick up and experiment (sipping water). Since my son was born, I’ve become more aware of investments and I work smarter, not harder. Recently I played at Joe Kelly’s Upper Room, a radio station endorsed by Prince because he cares so much about the good music they play, this station always interviews the latest funk and it’s just a great source of promotion